演(🌠)員未必懂(dǒng )拍戲,但性格演員拍(pāi )戲,就得另眼相(xiàng )看(kàn )了─經驗之談來的。三男三生(🌰),一(yī )人有(🗼)一個傳奇。《尺(🌫)蠖》(張震)講失業男(😎)的(🚤)處境。光(🕔)碟不住(🎩)轉(zhuǎn )(🤷)動,武器不(🕯)住(zhù )轉動,一(yī )天,小女孩彎(wān )(🐖)着眼對他(tā )笑,生活終於(✖)衝(🙁)開了(le )重(chóng )複單(🐶)調(diào )(🥀)的闖關日(rì )子,世(shì )界(jiè )(⏺)開(kāi )始(🌙)在(📎)變(biàn )。《殺手與老人》(鄭雨盛)的職業(yè )(🎛)殺手,在健身室(🙂)工(gōng )作掩飾(shì )身份,但盜(dào )亦(🙄)有(yǒu )道,知道這個(🎾)客仔,原來是目(mù )標老(lǎo )頭(tóu )的(🤲)兒子,他推翻交易。不過,殺手(🚴)費愈喊愈高。《橘子(🈁)》((💝)吳鎮宇)講越獄亡(wáng )命的(de )逃犯,又(➡)飢又渴又骯髒,一(yī )個(🃏)慈祥的(🌼)大(🚶)橘子(zǐ ),叫疲倦身軀猛然曉得歸處。