红牛在线
剧情简介
康(kāng )沃尔(ěr )(🔨)渔村的风景(🥇)明信片(🏽)田园诗误(🌰)导了人们。虽然过去钓鱼是(shì )一种养家糊口的(de )方式，但(dàn )如今(🐮)富有的伦(lún )敦游客(kè )纷纷下山，取(qǔ )代了当地人，当地(dì )人的(👑)生计因此受(shòu )到威(🕯)胁。史蒂文和(hé )马丁(dīng )(🚉)兄弟的(🐖)关系(xì )也(yě )很紧张。马(😚)丁是一个(😻)没有船(chuán )的(de )(🐶)渔夫，因为史蒂文开(kāi )始(🚢)用它来为(wéi )一整天的游客(kè )(🛑)提供更赚钱的旅游。他们卖掉(diào )了这座家庭别墅(🐑)，现(xiàn )在看来，最后一场战斗(dòu )是和新主(🍄)人(rén )在海边的(🧤)停车位(wèi )上展(⛳)开。然而，情(qíng )(🤳)况(kuàng )很(hěn )快(🕐)就失控(kòng )了，而不(🕯)仅仅是因为车轮夹钳。Bait是一种(🐾)黑(🦇)白(😊)，手(➡)工(🏻)制作，16毫米(mǐ )(🤷)胶(jiāo )片(🌪)制(💅)作的(de )电(💹)影。许多关于鱼、网、龙虾、长靴、绳结和(🔤)渔篮的特写镜头(tóu )让人(rén )想起了(le )蒙(🔞)太奇(🚲)景点(🔎)的(de )(🌂)理论(lùn )。对(🐖)不同社会阶层(🚡)的描述——可以说是阶级(jí )关系(🎦)——也让人想(xiǎng )起(🛃)了英国(🧘)电影中的社(shè )会(🕺)现(xiàn )实主(zhǔ )义传统。然而，最重要(🧥)的是(👅)，在(zài )影像中不同层(🈂)次的(🐌)电(diàn )影(🖱)历(💛)史参(cān )考文献之下(💨)，当前许多(duō )政治关(guān )联正在等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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